Editorial illustration to accompany a piece titled “Psychedelics are having a moment and women could be the ones to benefit” by Taylor Majewski in the MIT Technology Review, published Aug/Sept 2022.

Art direction: Eric Mongeon

Editorial
MIT Technology Review
2022

Cover for the June/July 2023 issue of Bloomberg Markets, on the theme “The Future of Finance.”

Art direction: Josef Reyes

Editorial
Bloomberg
2023

Visual universe created for Moog’s Sound Studio experience featuring the Mother-32, DFAM, and Subharmonicon. Characters, posters, and other interactive objects accompany each instrument setup to be constant sources of immersive inspiration for users exploring sound.

Commercial Work
2021

Album art for MonoNeon’s Jan. 2022 album, “Put On Earth For You.”

Album Art
2021

Official poster for the 2022 Austin City Limits Music Festival in Austin, Texas. Commissioned by C3 Presents.

Poster
2022

Full page illustration to accompany a piece in the May 2023 issue of the MIT Technology Review by Michael Hathaway and Willoughby Arévalo entitled “How do fungi communicate?”

Art direction: Eric Mongeon

Editorial
MIT Technology Review
2023

Editorial illustration to accompany a piece in NYT Business answering reader questions about writing checks.

Art direction: Zak Bickel

Editorial
The New York Times
2024

EP cover for Moog.

Commercial Work
2021

Flier commissioned for Minami Deutsch’s Spring 2024 US Tour.

Poster
Minami Deutsch
2024

Cover for Gareth Donkin’s winter 2023 single, “This Winter.” Commissioned by drink sum wtr.

Art direction: Molly Smith

Album Art
2023

Editorial illustration to accompany a piece in NBC News about ibogaine treatment for opioid addiction — “Could a little-known psychedelic drug treat opioid addiction? Kentucky wants to find out.”

Art direction: Chelsea Stahl

Editorial
NBC News
2023

Several iterations of a large illustration for One Medical’s 2023 Mental Health Awareness Month campaign.

Commercial Work
2023

Large illustration commissioned by Dell to add a whimsical visual component to a trade show booth.

Commercial Work
2022

Personal Work
2023

Illustration for “Reconstruction Site” by The Weakerthans: A Postcard Retrospective” by Hayden Merrick in Bandcamp Daily.

Art direction: Josie Keefe

Editorial
Bandcamp
2023

Illustration to accompany a piece in the NYT Kids section about how wacky weather is affecting summer travel.

Art direction: Mia Meredith

Editorial
The New York Times
2023

Show poster for Hiss Golden Messenger at Antone’s in Austin, November 2023.

Show Poster
Hiss Golden Messenger
2023

Single artwork for Birdy on the Moon’s June 2023 single, “Bluebells.”

Single Art
2023

Personal Work
2023

Flier commissioned for Toro Y Moi’s Fall 2022 European Tour.

Tour Art
Toro Y Moi
2022

Editorial illustration to accompany a piece in Politico about how the healthcare industry is changing political dynamics in Pennsylvania.

Art direction: Jade Cuevas

Editorial
Politico
2023

Banners to head VICE’s Rec Room site sections: Travel, Art, Feelin’ Good, Food, Gifts, Home, Lookin’ Good, and Sex.

Art direction: Cath Hutton

VICE
2021

I worked with the Chobani creative team to develop illustrations for a 2021 company campaign highlighting their wide range of products and their vision for the future of food. In addition to illustrating more than 30 Chobani products, I made lush landscape scenes for billboards, ads, store collateral, and other print and digital promotional applications.

The campaign also included a set of illustrations to promote Chobani Oat milk, and an Earth Day collaboration with Preserve.

Commercial Work
2021

Illustration to accompany an opinion essay by Robinson Meyer in The New York Times entitled “A Huge, Uncharted Experiment on the U.S. Economy Is About to Begin” about some of the Biden administration’s climate change policies.

Art direction: Shoshana Schultz

Editorial
The New York Times
2023

Personal Work
2021

I worked with design studio Glasfurd & Walker to illustrate the can for 'Friend Zone,' a hazy IPA collaboration from the breweries along Brewer's Row in Port Moody, British Columbia. The illustration includes visual nods to each participating brewery set within a surreal take on the Port Moody landscape.

Art direction and design: Glasfurd & Walker
Photography: Glasfurd & Walker

Commercial Work
2023

Cover for hemp clothing brand Jungmaven’s 2023 lookbook.

Commercial Work
2022

Show poster commissioned for Golden Dawn Arkestra and Alex Maas performing at the Last Concert Cafe in Houston, TX on July 15, 2022.

Poster
2022

Opener and spot illustrations to accompany a piece by Andrew Hunter Murray entitled “Billionaires want to save the world. What’s so wrong with that?” in the Financial Times.

Art direction: Brian Saffer

Editorial
Financial Times
2023

Poster commissioned by Khruangbin for their performance at the 2021 Outside Lands Music Festival in San Francisco, CA.

Poster
Khruangbin
2021

Illustration to accompany a piece by Callie Holtermann in The New York Times entitled “This Trend is a Mess” about the social media trend of showing your mess.

Art direction: Hitomi Sato

Editorial
The New York Times
2023

Springtime illustration for the March 19, 2022 edition of The New York Times “The Morning” newsletter .

Art direction: Elana Schlenker

Editorial
The New York Times
2022

Illustration to accompany a piece by Akshay Syal for NBC News about research into the potential link between heavy use of high-potency cannabis and mental health issues among young people in the U.S.

Art direction: Chelsea Stahl

Editorial
NBC News
2023

Editorial illustration to accompany Kate Aronoff’s guest essay, “If We’re Going to Give Handouts to Oil and Gas, Let’s Attach Strings” in the New York Times Opinion section.

Art direction: Jordan Awan

Editorial
The New York Times
2022

Art for The Academic’s 2022 album, “Sitting Pretty,” and three singles.

Design & art direction: Richard Andrews

Album Art
2022

Eight mural illustrations commissioned by Warner Brothers to celebrate Tweety Bird’s 80th birthday. These murals were painted in different cities in November 2022 across the world.

Commercial Work
2022

Artwork for the Trey Anastasio Band Fall 2022 Tour. Commissioned by Red Light Management.

Tour Art
Trey Anastasio Band
2022

Merchandise designs for the Calvin B. Taylor House Museum in my hometown of Berlin, Maryland.

2022

Illustration accompanying a story by Joan Silber titled “Evolution” in the fiction section of the September 12, 2022 issue of The New Yorker.

Art direction: Emily Roemer

Editorial
The New Yorker
2022

Editorial package for Tablet Magazine to accompany a series of articles and essays about the current landscape of American Judaism, released the week of Passover 5783 (2023). The series also included a quiz and a selection of data points from a survey on Jewish Americans’ engagement with Judaism.

Art direction: Esther Werdiger

Editorial
Tablet Magazine
2023

A series of illustrations commissioned by on-demand apparel manufacturing company CreateMe in partnership with Warner Media for an activation at SXSW 2022 in Austin, Texas. The idea was to re-imagine classics in my own style; I put a spin on IT, Game of Thrones, Friends, and Batman.

Commercial Work
2022

Illustration for The Strategist’s “Supply-Chain-Proof Gift Guide.”

Art direction: Josiah Whitfield

Editorial
New York Magazine
2021

Ten illustrations for a dossier in Le Monde’s M Magazine about Italian wine and spirits.

Editorial
Le Monde
2021

Illustration for VICE’s 2021 holiday gift guide.

Art direction: Cath Hutton

Editorial
VICE
2021

A series of illustrations created for The New York Times’ “At Home and Away” newsletter. These are reflections on themes of nature, solitude, wellness, dreaming, presence, adventure, and more.

Art direction: Tonya Douraghy

Editorial
The New York Times
2021

Illustration for “Meet the Latin American Labels Who Are ‘De-Berlinizing’ Experimental Electronic Music” by Richard Villegas in Bandcamp Daily.

Art direction: Josie Keefe

Editorial
Bandcamp
2021

Personal Work
2022

Brunch-themed header illustration for the May 16, 2021 Sunday Edition of the Morning Brew newsletter.

Art direction: Will Varner

Editorial
Morning Brew
2021

Poster illustration for SPAC’s 2022 season.

Art direction & typography: Shawn Carney

Poster
2022

Four illustrations accompanying Steve Webb's speculative story about land reform and distribution, equality, and self-sufficiency in the 125-year anniversary issue of The Architectural Review.

Art direction: Eleanor Beaumont

Editorial
The Architectural Review
2021

Poster for Kikagaku Moyo’s show at Levitation 2021 in Austin, TX.

Poster
Kikagaku Moyo
2021

Limited edition 11”x17” risograph print, printed by Telepath Design in Austin, TX. Originally commissioned for Mass Gallery’s group show “Riso Roni” in September 2021. Printed in aqua, fluorescent pink and orange on French Speckletone ‘Starch White’ 80# cardstock. Edition of 150.

Riso printed at Telepath Studio
2021

Purchase print

Summer produce illustrations for Bon Appetit’s Healthyish 2021 Farmer’s Market Challenge.

Art direction: Christa Guerra
Editorial
2021

Cover illustration for the Autumn 2021 edition of The Poetry Review.

Art direction: Mike Sims, Emily Berry

The Poetry Society
2021

Poster commissioned by Khruangbin for their performance at the 2021 Pilgrimage Music Festival in Franklin, TN.

Poster
Khruangbin
2021

Illustrations for ZEIT Germany’s 2021 student issue.

Art direction: Julia Steinbrecher

Editorial
DIE ZEIT
2021

Label and release graphic for Hopewell Brewing Company’s “Taxon Cycle,” a wild ale with Traminette grapes brewed in collaboration with Speciation Ales.

2021

Cover illustration for the Summer 2021 edition of The Poetry Review.

Art direction: Mike Sims, Emily Berry

The Poetry Society
2021

Personal Work
2020

Cover illustration for the June 13, 2021 issue of The New York Times Book Review, to accompany a review by Eric Cervini of Sasha Issenberg’s book, The Engagement: America’s Quarter-Century Struggle Over Same-Sex Marriage.

Art direction: Matt Dorfman

Editorial
The New York Times
2021

Summer harvest header illustration for the June 27, 2021 Sunday Edition of the Morning Brew newsletter.

Art direction: Will Varner

Editorial
Morning Brew
2021

Personal Work
2021

Personal Work
2020

Purchase a print from Terra Cotta Prints
sizes ranging from 16”x16” to 28”x28”
giclée printed on heavyweight 200gsm museum-quality fine art paper

Illustration for The Strategist’s guide: “How Not to Let All the Supply-Chain Issues Keep You From What You Want.”

Art direction: Stevie Remsberg

Editorial
New York Magazine
2021

A trio of illustrations interpreting the CH fragrance universe for Carolina Herrera’s “Herrera Revisited” campaign.

Carolina Herrera
2021

Several illustrations accompanying Virginia Heffernan’s piece in WIRED, To Observe the Muon Is to Experience Hints of Immortality.

Art direction: Alyssa Walker

Editorial
WIRED
2021

Personal Work
2021

Cover illustration for the Winter 2021 edition of The Poetry Review.

Art direction: Mike Sims, Emily Berry

The Poetry Society
2021

Illustration to accompany a piece titled “Judaism’s Psychedelic Renaissance” by Madison Margolin, published July 26, 2021 in Tablet Magazine.

Art direction: Esther Werdiger

Editorial
Tablet Magazine
2021

Spread for Bloomberg Markets to accompany a piece by Matthew Boesler entitled, “The Covid Trauma Has Changed Economics—Maybe Forever.”

Art direction: Josef Reyes

Editorial
Bloomberg
2021

Personal Work
2021

Editorial illustration for Jen Gunter’s guest essay, “How to Have a Feminist Menopause” in The New York Times Opinion section.

Art direction: James Datz

Editorial
The New York Times
2021

Header illustration about the optimism surrounding the COVID-19 vaccine for the April 11, 2021 Sunday Edition of the Morning Brew newsletter.

Art direction: Will Varner

Editorial
Morning Brew
2021

Cover illustration for the last 2020 section of The New York Times “At Home.”

Artist statement: In many ways, 2020 has felt like a year in limbo, spent trying to look to the future while floating suspended in this uncanny present. While the end of the year may often feel like a superficial milestone, this year I think we could really use it. As we transition to 2021, I’m letting myself feel hopeful for a better future on the horizon.

Art direction: Tonya Douraghy

Editorial
The New York Times
2020

Several illustrations commissioned by WIRED Japan for the transportation section of The WIRED World in 2021.

Editorial
WIRED Japan
2020

Double-page spread and spot illustration for “Raising a stink over perfume safety restrictions” by Noy Thrupkaew in the April 25, 2021 issue of the Washington Post Magazine.

Art direction: Clare Ramirez

Editorial
The Washington Post
2021

Editorial illustration to accompany Julia Walton’s essay, “My journey through sex ed in Catholic school” for TODAY.com.

Art direction: Jennifer Prandato

Editorial
TODAY.com
2022

Set of illustrations for “Welcome to the Post-Pandemic Dream Home” by Joe Pinsker about the ways the COVID-19 pandemic is changing what many people are looking for from their homes.

Art direction: Caroline Smith

Editorial
The Atlantic
2021

Cover illustration for the Spring 2021 edition of The Poetry Review.

Art direction: Mike Sims, Emily Berry

The Poetry Society
2021

A series of patterns and sticker illustrations for Pure Sunfarms cannabis gummies.

Commissioned by: Glasfurd & Walker
2020

Personal Work
2021

Graduation-themed header illustration for the May 22, 2022 Sunday Edition of the Morning Brew newsletter.

Art direction: Francis Scialabba

Editorial
Morning Brew
2022

Editorial illustration for Jennifer Finney Boylan’s end-of-year piece “Time Won’t Let Me Wait That Long” in The New York Times Opinion section.

Art direction: James Datz

Editorial
The New York Times
2020

Spot illustrations for “Where to Eat Now” in the March 2021 issue of Texas Monthly.

Art direction: Jenn Hair Tompkins

Editorial
Texas Monthly
2021

Personal Work
2021

Cover art for a Bloomberg Markets Special Report about COVID-19 and the environment.

Art direction: Josef Reyes

Editorial
Bloomberg
2020

Illustration for Pure SunFarms CBD.

Commissioned by: Glasfurd & Walker
2020

Cover, lead, and spot illustrations for “Teach Your Kids to Cook by Fueling Their Curiosity,” a special issue of The Washington Post’s Food section, Voraciously.

Art direction: Amanda Soto
Photo courtesy of Amanda Soto

Editorial
The Washington Post
2020

Album art for Telethon’s LP “Swim Out Past the Breakers.”

Album Art
2021

Editorial illustration for a review of recent horror fiction by Danielle Trussoni in The New York Times Book Review.

Art direction: Tonya Douraghy

Editorial
The New York Times
2020

Personal Work
2021

Editorial illustration for Daniel Kraus’s review of Agustina Bazterrica’s dystopian novel, “Tender is the Flesh,” in The New York Times Book Review.

Art direction: Matt Dorfman

Editorial
The New York Times
2020

Illustration for the Dec. 2021 issue of Health Magazine to accompany a piece by Jennifer King Lindley about dreaming.

Editorial
Health Magazine
2021

Editorial illustration for Charles Yu’s review of Jonathan Lethem’s novel, The Arrest, in The New York Times Book Review.

Art direction: Matt Dorfman

Editorial
The New York Times
2020

A series of illustrations for a piece in EatingWell Magazine by Marissa Conrad about scientists working to create crops that can withstand extreme changes in climate.

Art direction: Carey Bass

Editorial
EatingWell Magazine
2022

Personal Work
2020

Personal Work
2020

Personal Work
2020

Purchase a print

Feature illustrations about “blended meat” — the combination of lab-grown cultured meat and plant-based meat — for the food issue of the MIT Technology Review.

Art direction: Emily Luong

Editorial
MIT Technology Review
2020

Illustration for Bloomberg Pursuits to accompany a piece by Joanna Ossinger entitled, “Singapore Restaurants Build a Following Among Crypto Believers.”

Art direction: Shawn Hasto

Editorial
Bloomberg
2022